KET FICTION

She never raises her voice.

An experiment that needs one favour from a native speaker.
KET FICTION · the scene

Tonight, two of her men made a mess.

A Hong Kong crime comedy, made by one person and a lot of AI. Ninety seconds of context, then the ask.
Before anything else, what this actually is. Geir is one person making a film with AI. He does not speak Chinese. He built this character's voice with AI anyway, and every Chinese speaker who has heard it has told him, kindly, that it is bad. So this is not a casting call and there is no budget, no agency and no audition. It is a stranger asking a native speaker for about ten minutes, because it is the one part of this film AI cannot do. You get credited if you want to be, and ignored if you prefer. Read on if you are curious.

A gun went off in a car over a food handover. It should have been simple. It was not. The two men now stand inside her doorway, soaked, heads down, like schoolboys outside the principal's office.

Why they're in trouble. The handover, the shot, the blood.
The call to her. The lieutenant phones from the wreckage, acting calm, knowing he isn't.

She receives them in a minimalist apartment: raw concrete, one enormous painting, a paper lamp, a tiny white kitten in her arm. She does not shout. She does not threaten. She looks at her painting and tells them a story about her childhood, and by the end of it they understand everything.

Her scene. The painting, the kitten, the two men. This is where your voice lives.
One production note: the liquid is blood. The film shoots with a green stand-in that becomes blood-red in the grade. If you spot a green fleck, read it as blood. She is looking at two men covered in blood, and she is completely unbothered. That is her register.
KET FICTION · your call

Which one could you do?

Pick whichever is actually yours. Not the one you studied. The one you grew up arguing in.
廣東話 · Cantonese
A Hong Kong daughter. The city raised her, the city answers to her. Street idiom, harbour salt, the aunties who run everything.
普通话 · Mandarin
She came down from the mainland, and Hong Kong works for her now. A northern boss running southern muscle. The room switches language for her.

Both versions are real. There is no wrong answer and no audition.

KET FICTION · the session

Big Sister, the apartment monologue

About a minute of talking · · wrong language?
Who she is in the voice

Low. Unhurried. Faintly bored. She has said frightening things so many times they cost her nothing. The menace is in how relaxed she is. She never needs the last word, because the room is already hers.

And here is the secret of the scene: she is not talking to the men. She is looking at her painting, thinking out loud about her childhood, but she knows they listen to her wisdom. An overheard thought, not a speech. Two registers, one turn: the whole story lives in that inward calm, and after she sets the kitten down the last line flips lighter, quicker, done with the subject. Like changing topics at dinner.

What the speech is really about. It is not a story about a kitten. She is taking the West's favourite insult apart in front of two men who are bleeding on her floor. In English, calling someone weak means calling them a woman. The word does not work unless you accept that. Chinese never agreed to that trade: there, the equivalent insult is about being underestimated, not about being female. She notices the gap out loud, and then says the English sentence anyway, because it is the only language rude enough to need it. Every amber note below tells you what a line is carrying.
The script
我細個嗰陣,仲係個細路女……我就係個麻煩。
When I was little, still a little girl... I was trouble.
Slow. She is telling a bedtime story. The pause before 麻烦 is the whole line.
麻烦 not 问题, the word a tired parent actually uses, not the literary one.
唔係我有麻煩。我本身就係。
Not that I had trouble. I was it.
The correction matters more than the sentence. Tiny pause before it.
爸媽日日都話:你就係嚟討債嘅。
My parents said it every day: you're a little debt collector.
Almost amused. Quoting them, not hurt by them.
讨债鬼 is the classic thing Chinese parents say to a hard child: you came to collect a debt from a past life. Affectionate, exhausted and genuinely dark at once. She grew up to become one literally.
佢哋欠我嘅,都唔少……咁咪扯平囉。
But they owed me plenty too... so we're settled.
Flat. Bookkeeping, not bitterness.
两清 / 扯平 is an accounting term. The debt is closed. It answers 讨债鬼 from the line before. This pair does not exist in the English.
我想要嘅,不過係有人咁樣攬住我。好似隻貓仔咁。好細隻,毛茸茸,有人惜嗰種。
All I wanted was for someone to hold me like this. Like a kitten. Small. Soft. The kind someone dotes on.
The softest lines in the piece. She is stroking a real kitten while saying this.
疼 / 惜 means to dote on tenderly. 爱 would be flat and wrong here.
不過,凡係嚟同我搞事嘅,最後都明白我爸媽早就知嘅嘢。
But everyone who came to make trouble found out what my parents already knew.
The temperature drops here. Same volume, colder.
找麻烦 echoes 麻烦 from the first line. That rhyme is not in the English.
喺西方,佢哋鬧人叫 pussy。意思係你軟弱。
In the West, they call you a pussy. It means you're weak.
She names the foreign word the way you'd name a strange dish on a menu. Curious, not offended. Say the English word plainly inside the Chinese.
The English insult only works if you accept that being a woman is the weak thing. She is about to point out that Chinese never agreed to that.
中文冇呢句話。貓就係貓。
Chinese doesn't have that sentence. A cat is just a cat.
A small shrug in the voice. She is not defending anything.
我哋只會話:老虎唔發威,你當我係病貓。
We only say: the tiger hasn't roared, so you took me for a sick cat.
The wisdom beat. The room is listening and she knows it, but she still says it to herself.
The proverb every Chinese speaker knows. 病猫 is a SICK cat, not a cute one. It is the harmless-looking thing you misjudged. Where the English insult is about being female, this is about being underestimated. That gap is the point of the whole scene.
不過呢……“I am not a cute little pussy.”
However... “I am not a cute little pussy.”
The line of the film, and the only full English sentence she speaks. Cold, flat, final. Do not push it. The film cuts away right after. Do not sell the joke, the cut does it.
It is in English on purpose: her own language cannot say it. The code-switch is the argument.
……就好似佢噉。
...Like that one.
A beat later, completely flat, with the smallest glance. The film cuts to the artwork on this line.
she sets the kitten down · the voice becomes light, quick, casual
總之呢……呢位係實習生。個Wolf。佢會搞掂㗎喇。
Anyways. This is the intern. The Wolf. He'll sort it out.
A shrug in sound. No weight at all. The joke is that the terrifying speech ends in small talk.
The text was written with AI, so some of it is probably slightly off. If a line reads like nobody talks that way, just say it the way you would say it. Your version wins, no need to ask. Only three things are load-bearing: 讨债鬼 and 两清 belong together, the tiger proverb stays, and the English sentence stays in English. Tell us anything you changed, or don't.
Reference audio

Pacing reference only. Your natural tones and phrasing beat this. It is the AI voice you are here to replace.

Note: the Cantonese reference is an older read and does not yet match the script above. Follow the written lines, not this recording.

English rhythm scratch, for the musicality of the pauses:

If you want to try it
  • Your phone is completely fine. A quiet room matters more than any microphone.
  • Speak slower than feels natural and hold the written pauses (the ellipses). Silence is part of the performance. She is thinking, not reciting.
  • One read is plenty. If you feel like doing a second one your own way, even better.
  • The last line is a different mood, so say it once on its own too if you can be bothered.
  • Mess it up, laugh, start again, leave it in. Honestly none of that matters.
Send it back

Record it right here in the page. No account, no app, nothing to install.

or

Geir gets a note the moment it lands, with your name on it. If you leave a way to reach you he will write back. He is the one asking for the favour.

The film it belongs to

The latest cut of THE KET, the film this universe comes from. Deadpan, patient, precise. It continues into the trailer for the streaming service, and KET FICTION, the film your voice belongs to, is one of its titles.

THE KET, latest cut.
The ending beat of her scene. Kitten down, the mess handed to the intern.